Apr
16

Everyday Poets 10: Garth

Garth is a musician, a poet, a writer, and a loser. He is currently in his senior year of High School, and will go on to study Neuro and Cognitive Sciences at The University of Arizona. He has been writing poetry for the last year, and is also heavily involved with playing, writing and performing music.

The Life Store

So, I was walking down to the life store,
Musta been, what, 3 or 4 years ago,
Dejected, my head was down in the dirt,
In my arms was a box full of me.
Of hopes and lies and fears and dreams;
I grabbed everything I could get my hands on,
Stuffed it in, Taped it shut,
Slapped down a sticker with “This side up” on top,
And kicked it down the stairs.
Clunk.         Clunk.         Clunk.
As it hit the steps,
It pulled the ripcord on my heart,
And with a yawn, it came on,
A sputtering two-stroke motor,
Stuck in first. Hate.
Hate you, Hate her, Hate this, Hate that,
The government, The world, The pope, Myself.
Hatred.

When the box hit the ground,
I slid down the banisters,
And, right before I got to the end,
I jumped, wanting to fly,
But instead I hit the ground and cried.

After an hour or two,
Maybe a week,
I got up, weak to the knees,
And bleeding and shaken and god please,
I needed something to work out for once.
So I picked up the box,
And went to the store.

When I walked in, a little bell on the door went,
“ting-a-ling”
I frowned and looked around,
Afraid that someone I knew would see me there.
I placed the box on the counter,
Looked at the clerk and said:
“Gimme everything you got.”
He opened the box, Looked inside,
His eyes went wide and he leaned back and sighed and said:
“You got it all already here.
A brain, bleeding fear,
A heart, torn a part,
A pair of kidneys, screaming for love.”
I shrugged.
“Then build me a castle.”
And he did.

It touched the sky, with towers and steeples,
Teeming with dancers and artists and peoples,
Flags fluttering facetiously,
Freaks performing freakishly,
They came from miles away,
To see the gory success story,
Of my former glory, stacked up in
17 stories and an aviary.

But, yesterday, it collapsed,
The walls came down,
The bricks and the building littered the ground,
And all around were little bits of my broken heart.
Now, in pieces, finally freed,
My heart gave a start and upshifted,
Into second.
And all of the hate and the fear disappeared.
And I turned to love instead.
I love the dirt,
I love the pieces of my castle,
I love the pain and the people I hurt,
But most of all,
I love you.

So I picked up the box,
From so many years ago,
And walked down to the life store.
The bell on the door went “ting-a-ling”
When I walked in,
But I didn’t give a damn
What anyone else thought anymore.

I slammed the box on the counter,
Stared the clerk right in the eye,
And said,
“Gimme all you got.”
He opened the box, his eyes got wide,
He leaned back and sighed and said:
“This is an empty box.”
And I laughed and said:
“Now that’s more like it”

 

Aphasia

I have a love-hate relationship with words.
They sometimes flow off the roof of my mouth,
A loquacious process of verbal synthesis,
Strong, proud, loud, above the crowd,
Motivating, Scintillating, Awe-creating.
But oftener, they trip and stumble,
Syllables set to tumble-dry,
I mumble and lose my head.

I want to tell you how radiantly
The sun shines out of your eyes,
How incredibly beautiful you are.
I want to sing you the songs
Of ten thousand generations,
A veneration of you,
A mitigation of all they told you was true
About how much better you should be.
But you’re already perfect to me.

Instead, my letters change places,
I somehow say faces instead of spaces,
I pause when I think,
And I think a lot,
But all the things I’m thinking can’t quite seem
To come out right.
So I’m left with dust.
It clogs up my gums, sticks to its guns,
And rusts my ironclad thoughts.

The words get stuck on the tip of my tongue,
So I cut it off for you, and turn it into
A pen.
And all of the things that I couldn’t say
Flow freely from the ink of the point of my
Trusty Montblanc Tongue.
I slice my arms open, and let them
Bleed into the inkwell, in hopes that
My blood will leave a better impression of my feelings
Than my words can even dream of.
I dip my hands in ink
And smear them across the page,
And I pray that maybe somehow
I can leave my inky little fingerprints
Somewhere on your heart.

So when I say “I love you”
Know that it is all I have,
That I will scream it until it
Rings in your ears, Off the walls, and
Back into your soul,
But I mean so much more than that.
The very words that won your love
Can’t adequately express how much I love you back.

I have a love-hate relationship with words.
We usually get along just fine,
But sometimes I have to sleep on the couch.
I need them more than anything though,
Because without them, I wouldn’t have you.
So when I say that you life up my light,
You know what I really mean.

Mar
31

Everyday Poets 9: E. Parkison

Three poems from E. Parkison

Honestly

Still attic, unfinished – light bulbs
Hang from a plywood ceiling. Old Floor.
For two years the north window
Tipped in, open:

Gaping mouths of the damned slack-jawed
Idiots in town – drunks, toothless scrapmen,

Women with eyes half-lidded. Exhausted, stained
Sweat pants, T-shirts unable, finally,
To cover doughy guts, stretch marks –

Accusatory cracks across windshields, wood tailgates.
When my father said a contractor would do it,
Cheap, I said nothing. It is, after
All, his house. Well, my mom’s, since the divorce,
But I still think it’s sad – finished or not.
 

Last Night

Help me.
Be with me.

We shouldn’t gather
Such slight breezes, and expect
To collect a tempest.
The breath that catches

In my throat doesn’t
Graze your ear: part crescent, part
Curling wave.

An illness grips the village, and the horizon
Shows it – pink lights blinking
Out, one after the other undoing

The constellations grafted
To the few, short streets. The open air

Darkening, steam settling in the small kitchen,
I don’t hear

The whistle of the kettle, yet –
Stay with me. Help me,

Leave the closet open
Just enough to read me

A book I didn’t read.
Be with me.

Symmetry I: The Airport

I know I didn’t see you as you
Jauntily stepped through the gate
To board the plane:
Back to Arizona, towards

The flat tire, the accident.
The fire.

When I knew, I laid down
In the cool grass, smelling the dirt,

Feeling the warmth of the spring sun. The ashes
That were you, rose,

Still:

Pushed
By winds that keep the airplanes aloft:
Suspended in air, still, hanging.

Descending over Phoenix.

Remember when we watched them come in?

But now, I can’t remember
Leaving you, at the airport
In Rochester:

I mistook
Our mother stretching up to wave to you,
At the gate,

For me looking, seeing you there, myself

Mar
03

Everyday Poets 7: Rebecca Griffiths

Rebecca Griffiths is a Fine Art Student at the University of Derby. Her creative writing is often the foundation of her artistic practice. She can be contacted at leaenaspirit (at) hotmail.com.

Sat on the throne of your shoulders,
I gazed at the incarcerated beast below,
her abridged nomadicity marked
by her melancholic sigh.

It hit us like a storm,
gaining force on its journey
up the chasm of concrete
to sway me on your shoulders.

I am unaware,
simply elated to see a polar bear

Feb
18

Everyday Poets 6: Timothy Davis

Bio: Timothy Davis is an aspiring writer and poet (aren’t we all?) pursuing a degree in Digital Communications from Lebanon Valley College in Annville, PA. He is from the central PA region, and has been writing poetry ever since middle school. He is currently in the process of sending both poetry and fiction to various magazines and continues to hone his craft.

Winter

It must’ve been winter
Because I could smell the ice on your breath,
The Jameson on the park bench,
The only way to keep warm.

It must’ve been winter
Because I could hear that vacant silence,
The lack of bird song,
The tightening of vocal cords.
Sore throats, too hard to express

Anything but contempt for this winter
It must’ve been winter
Because I could feel the sweat
Freezing so tenderly on my forehead
Like icicle kisses
Dripping slow

It, in fact, was winter
Frozen days on the calendar
Melt this day, please,
Place it on the bed, dripping wet,
So that we are drenched in the time we could’ve had.
Place it so carefully that I can’t feel
All the time that’s gone by.

Spring

It must’ve been spring
I heard the first fireflies
Buzz by my ear
I stood waiting for leaves
To burst into green stars
Pointing to the new growth

It must’ve been spring
When the rain came,
Silver sky unzipped,
Decompressed into
Such steady release,
Constant and fierce

It must’ve been spring
When I saw you standing
On the corner holding
Our dreams in your hands
Like the first seeds
Planted in Eden.

We are a flower that
Refuses to bloom
Despite all the
Rain and fertilizer and sun
Never unfolding its delicate
Pedals into the vulnerability
Of nature
Of the new spring.

Feb
04

Everyday Poets 5: John-Anders Magnusson

We, Like Matchsticks

A new year’s eve of bile and loathing,
to end a week of false remorse
and crown a winter vitriolic.
Too many cigarettes need smoking
and too much liver goes unscathed.
Cradle me, you futile bitch,
Let’s learn to live and frown together.
Curl up with me; despise with me,
let’s surrender to our sickness
and rue the world, apart and cold.
Spring will come and life will flourish-
our planet cast adrift the sun.
We will wither and come to ashes
and all things splendorous will come.

The Tall Grass

I will find you in the tall grass,
as the chopper whips it into a furious sea
and the smoke scatters under the rotor blades.
Underneath that swollen setting sun I will find you playing dead.
Praying that I pass you over.
The machine noise will drown out the sound of the chambering round
but you will know that I’m there.
I’ll cast a shadow.

 

Born in Uppsala, Sweden, 29 years ago, John-Anders Magnusson was exposed at an early age to the ravages of the written word. Though perhaps not always fiery and passionate in his literary endeavors, sometimes it seems that words and will come together amicably. As a child he was struck in the head with a rock and promptly came to grasp the subtleties of human communication.

Jan
22

Everyday Poets 4: Matthew Bassein

Growing Up

by Matthew Bassein

i was the quiet kid
He was the loud mouth
i had a stutter, and a lisp
He always spoke eloquently

i hated him
He loved me
i always fought with him
He was bigger, he would win

i thought he was better than me
He thought so too
i wanted to be like him, i wanted to be better than him
He didn’t care. It killed me

I wasn’t a kid the last time we had a fight
He didn’t know that

He was angry, he always was
I said mean things that I could never take back
He punched me in the face
I tackled him to the ground

He slammed his fists into anything he could
I took my time
He made sure he left reminders swelled under my skin
I grabbed his neck and locked my arm across his throat

he couldn’t breathe
I felt his elbow in my gut, his fingernails digging into my skin
he wanted to scream, rasps came out
I didn’t care.

Jan
08

Everyday Poets 3: Bryan Lewis

Clockwork

Nature sees what nature sees,

And nature does what nature does.

Minds believe in memories,

And sometimes hearts believe in love.

When hearts and minds do both agree,

Conceived are dreams converged as one.

But love of life and logic leaves

Our livelihood left out of luck.

Deceived are these who dream of things

Composed of money, grease, and blood;

Mechanical beings with cogs and springs,

Like clockwork do this planet run,

In tightened shifts devices click,

Send slowly start to smog the sun.

But smoke and fog made synthetically,

How many does this bother? None.

Machines you see, they do not breathe

The air they leave, beneath, for us.

They call this craft their politics,

And leave us here to pay in blood.

Being animals, we wonder,

How the humans lost their love.

When will man begin to see?

What nature sees how nature does?

*This poem’s final line is a powerful one. As humans, we think we’re smart enough to sit back and look at what we’ve done. Maybe we’re not, the poet suggests, through posing the question. Aside from that, the wording is tight. That concept could easily have sprawled on for an entire paragraph, but here the poet has concisely stated a grand idea in as few words as possible. Lines like this are what can separate poetry from all other genres of writing.

Ugly

This is how it started,

Sitting in an ugly tree

Eating ugly sandwiches,

And they were good as they can be,

When suddenly there came a breeze

And i was falling gracefully,

I hit my head on every branch,

Then the tree fell on me…

*I enjoyed this poem because it made me reflect on how a current emotional state can impact reality. On a good day, maybe that sandwich would have been nondescript or even artful. But this isn’t a good day. It’s one of those days where the cliche “when it rains, it pours” fits. Even the falling, although graceful, is still falling and even results in hitting the head on branches. But, alas, that still isn’t enough. The tree not only falls, but falls on the fallen. We’ve all had days, metaphorically speaking, like this.

Bryan Lewis is a 25-year-old computer science major from Richmond, Indiana. When he’s not studying for class, he writes, produces, and performs music (lyrical rap.) He also writes poetry and short stories in his free time, although he’s never made a significant effort to be published. Bryan has a deep love for the natural world, and enjoys the solitude and reflection it brings. Find him here on Facebook.

Dec
10

Everyday Poets 1: John David Ryan

Beginning now and continuing for all of 2012 I will be featuring everyday poets. Upon a random sampling of the top poetry magazines, it would seem as though the country only has and appreciates ten or so of its poets. The Everyday Poets series is my attempt to go beyond the magazine covers and awards that alternate between a select few to discover and highlight the various voices, levels, stories and styles in the genre’s trenches. My call for submissions began at Reddit.com/r/Poetry/ and will continue there so long as I am receiving work. Rarely will I point your direction to some parts in the poem that I think work well. Instead, I hope the primary dissection and absorbtion of the poem will be by you, Dear Reader. I encourage everyone – poets and nonpoets – to post a comment regarding what you see as this poem’s strengths. Our poets are looking for feedback.

©John David Ryan, Untitled

Alone in the stillness of the waking morning,
with your smell lingering on the sheets that
you have not inhabited in weeks,
I wait.

I wait for your embrace,
and for our secret whispers in the early morning
but as I look into your tenebrous eyes,
I know that you will never again be mine.

Lie to me.
Let me feel the heart beating beneath your skin,
and your fingers running through my hair,
our breathing, the ebb and flow of the ocean waves.

Oh Judas, come and kiss me on these naive lips
even as you send me to my death-
I implore you to stay with me.

Lead me on with the sweet songs of your silver serpent tongue,
telling me that this night will last,
that it is real

the caress of your cheek

the stillness.

Reddit.com/r/poetry Feature. All copyright and rights remain with the author. This is not an official publication. Author may publish their poem elsewhere without permission.

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